The Hunger Games and Hope


Popular literature of today worries me, especially that of the “teen” variety. Bad writing, horrible messages, complete and total disregard for any form of established mythos… it makes me die inside. Yes, I love that kids are actually reading. But I hate that what they’re reading is the equivalent of somebody being told to bake a cake and instead just hand you a beat-up old shoe on a plate.

Being one of those “everything is a Twilight-esque mess and therefore bad” thinkers made it very hard for me to accept the latest craze, The Hunger Games. My thoughts for the last few years have been pretty much stuck on “Idiot teenagers today like it. So it has to suck.” Not giving them much credit, but they haven’t done much to show they deserve it either. That train of thought made it hard to believe that I was actually curious about the series. Part of that was because of the movie coming out (though I had NEVER seen a trailer for it), another part was the fact that it didn’t seem to have anything to do with the supernatural, a rarity today. So while staring longingly at a few things on the Harry Potter table at my local Barnes and Noble, I noticed the table set up next to it was one featuring The Hunger Games. Curiosity took over and I found myself reading the back of the book.

I wasn’t expecting what I read—children fighting to the death in a post apocalyptic setting? Interesting. That would be how I made my first “popular book” purchase in who knows how long (I think the last giant seller I bought was the final Harry Potter book back in 2007, or The Tales of Beedle the Bard).

It took me a few days to actually start reading it, but once I started, I could NOT put this book down. I liked it. I really, really liked it. The writing wasn’t awful (unless 1st person bothers you), there was actually a plot, there were interesting characters and development… it was good.

This gave me a sliver of hope. Something that didn’t suck was successful. Something that wasn’t full of bad was being read by thousands of people and hopefully showing them that the world of literature has so much to offer. I almost feel bad for having judged hit books so harshly in recent years. If things keep up like this, then just maybe all hope isn’t lost after all.

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First Impressions: Swan Song


So a while back a fellow member of The Spoony Experiment pointed me in the direction of a Visual Novel by the name of Swan Song from the studio Flying Shine. Now unfortunately I got about half-way through the game and my computer had to be formatted (there’s a lesson there, kids. But you have to figure it out on your own). I couldn’t find the time to pick it back up between work and school, but now that I have the time I’ve decided it’s time to go back at it!
Unfortunately for you I’m lazy and don’t feel like giving all the information away at once, and have decided to just give you my first impressions on the story based on my first run-through.

It definitely looks pretty.

The very VERY first thing I noticed about this game was the implied nudity within the main menu screen. Yes, I was told ahead of time there were some H scenes in the game, so it wasn’t a surprise, but it was something I didn’t think would be implied so early (or maybe I’m just a pervert and think it’s implied).

Anyway, subtle hints at nudity aside, the game itself actually kind of bored me in the beginning. Like it was moving way too slowly for me. Of course, once stuff started happening, BOY, did it start happening. Without giving too much away, I’ll tell you this: A post-apocalyptic setting, and the fight for survival. That is pretty much what it boils down to. Now that cliché can go horribly wrong if handled the wrong way, but I like how it was done. It also isn’t your typical “Main character is the lone survivor” type of story either. Thank all kinds of gods too, because I simply couldn’t deal with another main character goes all depressed in a way that ends up depressing me.
The cast is very generic, however, and I wasn’t really impressed with any of them save for one character who I’ll probably tell you more about when I finish the game.
I was also very unsure of how you could get a game over… until I got one. Thanks to a large number of save slots it wasn’t the end of the world though.
Now before you jump me for being too stupid to realize you could get a game over, let me defend myself: Up to that point, there weren’t many choices to be made, so there was really almost no way I could fail. And the ones that were there I had either gotten right or just didn’t lead to a bad ending.
The number of decisions to be made seemed to increase as time went on (and when the POV changed), so I’m sure making a comment about how there could be more of them right now would probably be a wonderful case of foot-meet-mouth later on.
Overall, I’m definitely interested in what the outcome will be and so far it is entertaining, so here’s hoping it will continue that trend and not go horribly off-course (oh, and hoping it doesn’t get too depressing. It’s had its moments, and trust me, they did not agree with me).

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Back and no longer a virgin!


Guess who’s back? And for the love of all things chocolate, don’t you dare echo that then say “Shady’s back!” I will kill you if you do that, and it would be a shame to start the new year off with a murder I didn’t plan on committing.

Now, because I know the title got you all excited, let me explain it. When I say “No longer a virgin”, I mean something that requires an admission of pathetic proportions. You see, until recently, I, Snarky, was in fact… a Barnes and Noble virgin. I had never set foot into one of their stores, let alone bought anything from there. I was always a Borders shopper—it was closer to my house, there were more locations, and, come on, when you get bombarded with gift cards for a certain store year after year, you’re bound to form some kind of attachment.

Anyway, to make this short… Barnes and Noble. I was overjoyed to be in a physical book store, yet at the same time I was a little disappointed. There was no horror section in B&N, I didn’t care for the store layout, and, to top it off, since when is THIS a genre?

Seriously... wut?

Yeah, I’m still kind of disgusted by that.
My trip wasn’t all negatives though. I picked up two new books (Grimm’s Complete Fairy Tales and The Hunger Games [Don’t look at me like that. I have to see what all the fuss is about]), and fell head-over heels for this amazing display:

I love

this table

So the trip wasn’t a total waste of time, and since the store is fairly close to my house I see much money spending in my future. Oh, my poor, poor wallet…

So get ready for some updatin’! ;) No school until fall means I’ll have more free time on my hands, which I’ve decided I will sacrifice to this blog and not the Procrastination Gods. As such, I would love some requests for reviews and the like! I have a few I’m working on that will hopefully be up soon, including one visual novel post.

Now, comment, email, share, eat, sleep, and thanks for wasting your time with me!

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Top 4 Undeveloped Romances


“Only 20 lines of dialogue later, I knew he/she was the one.”

Love is something that doesn’t just happen. Love at first sight isn’t exactly an accurate term to describe how you felt upon first seeing your significant other. You may have felt an attraction. After talking, you probably felt a spark, but I’m willing to bet it wasn’t love. Sadly this is something I say is probably a result of the written word—various works have romanticized romance and made it seem like true love could happen overnight. Of course Disney and Hollywood have done nothing to help clear this view, but hey, written works were around first. Note: Keep in mind this list is limited to books that I have read!

4. Sabriel and Touchstone
from Garth Nix’s Sabriel

So no pictures of them exist together... so this is what ya get.

The Old Kingdom series is amazing. Necromancy, a sarcastic demon bound in cat form, battles, magic, and of course bells with more magical power than Harry Houdini. Oh, and love, if you could call it that. The first book in Nix’s trilogy is the only one that really focuses any part of it on love and two characters falling for each other. Or it would, if these characters actually had enough interaction for me to believe it. Sabriel found Touchstone during her journey, and at the time he was nothing more than stone due to a spell that had been put on him. Sabriel breaks the spell and gains a new traveling companion. It is mentioned how she is attracted to him, and during the very brief time they interact I guess one could argue there is plenty of evidence of love, but I didn’t see it. These two barely have any moments together and the story focuses much more on the story than the romance. This isn’t a huge offender, and this relationship isn’t a big part of the story, but it irks me nonetheless. The good news is in the next two books they are married and there is actually a bit more “Aw, they love each other”.

3. Romeo and Juliet
from Shakespeare’s The Tragedy of Romeo and Juliet.

Oh, gag me.

First things first: This story is not a love story. It is not a romance. It is a tragedy. I side with those who say that no matter what Romeo supposedly did to show his love, no matter how sure Juliet was that he was the one, these two were not really in love. They wanted to bang each other. That’s where their love lies—in lust. At the start of the play, Romeo was “madly in love” with Rosaline. Then something hotter walked by and he was in love with that. Basically Romeo had the attention span of a 14-year-old boy when it came to women. Juliet’s issue was a common one that stems from a young girl’s desire to find love even if she doesn’t fully understand what it is. For this to work there has to be a mutual attraction, yes, but there still isn’t any love in it. They rush to get married and what is the first thing they do? They run off to have sex. “But wait Snarky, all married people do that!” Married people who have known each other for a total of… what, a few weeks maybe? No. People who do that are usually married by a justice of the peace wearing a wig and a white jumpsuit and end up asking for a divorce the second the booze wears off. Shakespeare’s pretty words clouded our minds and made us think what we were reading was love in its purest form. Romeo and Juliet do not make up the greatest love story of all time; they make up the greatest tragedy, and show us that when you think with whatever sex organ you have, it will end badly.

2. Bella Swan and Edward Cullen
from Stephenie Meyer’s Twilight

I just threw up... a lot... ugh, it's everywhere...

Be honest, if I didn’t put them on here, you’d think I was ill. I’m not even doing it out of pure hate for the series—I’m doing it because this is an honest to god bad relationship. As little development as the previous characters get, there might be even less between Edward and Bella. Meyer suffers from some kind of “Romeo and Juliet” syndrome, but worse. Not only do these characters only seem to want in each other’s pants and express attraction solely based on physical traits, everything that has the potential to create a romantic situation is handled horribly. I don’t need to go into specifics, since many of you no doubt know just how horrible this relationship actually is, but I will say this much: Edward’s attraction to Bella is based solely on the scent of her blood, and Bella’s attraction to Edward is based solely on his appearance. Seriously, the only times Bella notes anything about Edward, they’re either negative or something about one of his many amazing features. That does not, in any way, make for even a remotely decent couple. The only saving grace keeping this couple from earning the top spot is that Meyer has not shown us that she is able to write a couple that isn’t god-awfully-stupid, unlike the creator of the top couple…

1. Harry Potter and Ginny Weasley
from J.K. Rowling’s Harry Potter

Don't look at me like that... you two know you deserve to be here. I felt more love between Nagini and Voldemort than you two.

I would love to lie to you all and tell you it pains me to have Harry and Ginny on this list, but I’m just not comfortable with that degree of lying. A lot of you are more than aware how things went between them in the movies and point out how badly their romance was done. Sadly it’s in the books too. There is close to nothing between these two in the books. In fact, Harry spends much more time thinking about Cho Chang than any other girl mentioned. Then in Half-Blood Prince Ginny suddenly becomes some kind of pseudo-Mary Sue who is beautiful and smart and attracting all of these guys… and sadly Harry becomes a few different kinds of “I WANT.” Sure, their relationship has its cute, sweet moments, but other than those rare instances of aw, there’s nothing. There is the tiniest possibility of Harry having pent-up feelings for Ginny, but I’m not buying it. The timing for when he realized them was just too convenient, what with Ginny becoming all perfect out of nowhere. Maybe part of why this is so horrible is we get Ron and Hermione to look at in the same series. Their relationship takes time. It has ups, downs, good times, bad times, and we see them all. Even Snape and Lily had more development, and they never got togehter! That’s why this relationship is deserving of the top spot—readers know full and well that JKR can in fact write a developed couple. She just really dropped the ball with Ginny and Harry. She had the room and numerous chances to work towards their relationship, to make it seem like more than an instance of “Hey, you got hawt”, and she didn’t take it. Yes, the second book had a Harry-Ginny bit started, but it almost seems like Rowling totally abandoned that until it was too late to get any actual development done. Maybe Ginny never lost her crush on Harry, but that never seemed apparent, so it’s probably safe to say she only wanted Harry if he wanted her or something along those lines… Sadly some fans see development through their rose-colored glasses, but not I, even being a slightly obsessive fangirl.

There you have it. I was originally going to do a Top 5, but to save my life I could not find another couple to add to this list. I thought about adding Victor Frankenstein and Elizabeth Lavenza, but couldn’t bring myself to do it, especially since we didn’t really see both sides to their relationship, and when I compared them to the others on this list it just didn’t feel right.
However, if any of you have suggestions for characters with undeveloped romances that you think I should have included, feel free to suggest them! I’d be happy to find the book and see for myself just how badly the development is handled. My bookshelf may hate you though.

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Print vs. Film: Coraline


Sorry about the gigantic delay in updating! The charger for my laptop gave out on me, on top of some work and family complications I’ve been having. I swear they will get more frequent now! I’m probably lying about that last part.

Coraline (Neil Gaiman) vs. Coraline (2009)
[Sorry, no fancy hack-display card thing this time!]

I remember back in 2009 when Coraline was released. It looked good but I never made seeing it a priority. I was also a little annoyed by its release mainly because people heard the words “From the director of The Nightmare Before Christmas and assumed that meant it was a Tim Burton film even though Burton’s name was NEVER mentioned. Now before you jump on me for being nitpicky, I’ll tell you why that’s not the case. I didn’t mind people mistaking it for a Tim Burton movie. Not at first. But when everybody you know makes it a point to mention the movie to you, referring to it as “Tim Burton’s new movie”, you kind of want to punch people in the face and tell them “WHERE did they say it was a Tim Burton film?!”, “You mean the new Henry Selick film?” or “Burton did pretty much everything in Nightmare EXCEPT direct, get it right!” Though you didn’t come here for me to rage about people and their constant need to annoy me. You came to find out if you should read Neil Gaiman’s  Coraline, or simply pop Henry Selick’s Coraline (2009) in the DVD player.

Sucky picture, but you get the idea.

The Basics
Girl and family move to a new place. Family neglects girl. Nobody really pays attention to girl. Girl stumbles into Wonderland what I’m going to assume should be called “The Other World” and finds that there, she is the center of attention. Coraline then finds that her dream land isn’t so much of a dream, but a nightmare that was coated in a quickly dissolving sugar.

Coraline Jones
Coraline is… well, there honestly isn’t much to her. She is very smart, though she spends a large portion of the book and movie (much larger than I care for)sulking and being aggravated by people ignoring her and getting her name wrong. These are valid complaints, especially for a young girl, but damn… move on! Nobody is going to get your name right, so you might as well consider changing it to Caroline. There are close to no differences between Coraline in the book and Coraline in the movie. In the book Coraline is a bit more formal and polite, but that might be because the book takes place in England, and the movie has her talking like any other girl from Michigan would. If I had to point out any kind of change, it would be that she is a bit more selfish and whiney in the movie, which isn’t necessarily a bad thing. It gives her more personality and makes her seem more realistic.

The Parental Units
Still fairly inattentive to Coraline and more involved in their jobs. Since they don’t exactly do much in the story other than act as damsels in distress, I think I can leave it at that.

The Neighbors
Ah, those quirky, entertaining weirdos that Coraline is forced to share an old house-turned-apartment with. The eccentric and aged Misses Spink and Forcible, the zany and even more eccentric Mr. Bobinski, and just for the sake of not knowing where exactly he lives in relation to Coraline, Wybie.
Yet again these characters underwent minor to no changes with one exception. Spink and Forcible are still incapable of realizing they are has-beens, Mr. B doesn’t have a name until the end of the book (which turns out to be Bobo instead of Bobinski), and Wybie… Wybie is the exception.
Wilbourne Lovat was introduced in the movie as a way of keeping Coraline from walking around muttering to herself every once in a while during her time in the real world. I’m not sure how well he would have fit into the book, but in the movie it works. His role wasn’t even a big one and I still can’t imagine how the movie would have gone without him.

Coraline in Wonderland, yes?

The “Other” World
Oh my gawd, change! CHANGE!
That’s right, the majority of the changes made between book and movie were made in events and characters in The Other World. Oddly enough The Other Mother isn’t a part of this change. Sure some of her lines are cut/altered, but she’s still the same evil creature that haunts your inner child’s nightmares in both versions. The biggest change occurs when Coraline faces her Other Father. There is no garden in the book, so instead of facing the enchanted pumpkin there, our heroine is locked in a basement with a giant grub-like Other Father. That probably has to be my favorite part of the book—it’s chilling and had me turning page after page to make sure Coraline came out alright. That’s the biggest chance you can feel, I think. The book makes the Other World much more chilling and even odd from the get-go, while the film gives it a good-gone-bad presentation. The Other neighbors remain pretty consistent, with the exception of Mr. B’s rats being changed to mice for the film and the dogs in the theatre being able to speak.


The Ghost Children & the Cat
I have to say, the cat in the book was a character I was much more attached to. He just seemed so… snarky.  The cat in the movie definitely has his moments and gets major points for being voiced by Keith David, but the cat Gaimen gave us just spoke to me more. Maybe I’m more inclined to like less friendly, stuck-up sounding cats because of how my family’s cat acts. Hm.

See? Stuck up.

Anyway the same kind of goes for the Ghost Children. Because Wybie and his grandmother are not in the book, there is no mention of the girl being anybody’s twin sister. I also found humor and sadness in that the ghosts weren’t sure if they had been boys or girls when they were alive because they had been apart from their souls for so long. Then there’s when they appear to Coraline in her dream: the book has them having a picnic together, while the movie gives a more traditional ghost-visitation dream. Oh, and one of the girls in the book is strongly implied as being a fairy. Awesome.

The Plot
For as different as they may seem, the book and film are actually close to being the same. Though it is worth noting that a little more than half of the book is spent with Coraline in the Other World working on the challenges, while the movie uses them to build up to a big dramatic ending. The Other Mother also mentions a few things in the book that would have been nice to hear in the movie, such as a line about her own mother being dead. It is more than made up for by the beldam turning into a spider though, I think. The ending of the film also differs from the book. The movie includes a struggle with the beldam’s hand, Wybie playing hero, and the well. The book involves the hand stalking Coraline for some time and her tricking it into attacking her while over a trap, which results in it falling into the well.

The Winner:

Obviously she's very humble about her victory.

When I first read the book and watched the film again, I thought it would be a no-brainer to choose a winner. And it mostly is. The movie is just so much more captivating, and offers so much visually and changed things so perfectly that the book just falls behind at times. The book is great and worth a read if you want something chilling to read and have a spare afternoon ahead of you, but the movie is something better. It’s almost like Selick took the book and coated it in chocolate. So if you have to decide between watching Coraline and reading it, I say get your favorite movie-watching snack and treat your eyes to  Henry Selick’s adaptation.

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Review: Brains: A Zombie Memoir


Zombies are a hot topic nowadays. People love to talk about destroying zombies, fighting off the Zombie Apocalypse, surviving a zombie attack, destroying zombies, and proving that your math teacher in 7th grade was a zombie. They’ve become so popular, in fact, that writers have joined Hollywood in shooting the zombie cash cow. Pride and Prejudice and Zombies, It’s Beginning to Look a lot like Zombies, The Zombie Survival Guide, the list goes on. Seriously, just go to Borders.com or Amazon and do a search for “zombies” in Books. Go do it. I’ll wait.

I'll just leave this here for further reference.

See? More than you thought, right?
One you may or may not see in those search results is an interesting piece by one Robin Becker titled Brains: A Zombie Memoir, which oddly enough isn’t a book about killing zombies or surviving a zombie attack or what to do with the rotting pieces of flesh that will be inevitably scattered all over your lawn after protecting yourself from zombies. Brains is in fact the first-person account of a man who becomes a zombie. That’s right readers, a zombie story told from the point of view of the zombie.
The story starts out innocent enough, the narrator explaining that he is Jack Barnes, a former university professor and a zombie. Of course everybody had to stop and go “Wah?” upon reading that last bit, so Jack gives us a little flashback to the point in the zombie apocalypse where he and his wife are held up in their garage. The zombies break in, Jack is bitten, they contemplate killing Jack before he can “die”, then he and his wife Lucy have what I’m sure would be a very heartfelt moment if it didn’t end with the words “Don’t you dare eat me” (which no sane woman would ever say to a man unless he was on the verge of becoming a zombie, amiright?). When Jack wakes up, he realizes that he has become one of the living dead and can’t seem to find his wife anywhere. Big spoiler alert: He ate her. He also goes off on a small journey and eats his neighbors too. Anyway, after eating some of his neighbors and trying to eat a baby Jack decides to explore his newfound zombieness. It is not long after this Jack discovers something odd about himself—he can still think. By “think”, I mean he’s able to think about more than how much he would love to eat babies. Turns out he can write too, provided his limbs don’t fall off.

So…. I don’t have a picture of a smart zombie to use for this. So just picture a zombie in a graduation cap.

After some slow exploring, Jack finds a person whom he decides not to eat. Why? Because the girl he found is pregnant and he wants a zombie family. Unfortunately when the girl turns into a zombie she is not different than the others (except for the demon spawn Jack assumes will still be growing in her rotting womb). Jack christens the girl Eve, causing several religious buffs everywhere to have massive heart attacks at the idea of zombies being compared to Adam and Eve. Due to tv and news reports being all over the place during this time of panic, Jack overhears information concerning the whereabouts of the man responsible for the zombie virus. He decides it would be worth it to pay the guy and visit, so he and Eve set out for the wondrous land of Chicago. While the fact that zombies move slower than a snail moving through cement should make this an interesting story alone, it turns out the big bad government is out corralling zombies in order to contain the virus and keep the story from becoming another I Am Legend.
Like any other misfit journey story, Jack stumbles across other zombies who prove useful to him in his quest for world domination equality. They pick up a young zombie boy who can run, which is about as common as a zombie who can actually think. Have you ever seen or heard of a zombie moving fast? Well, Guts can do it. Yes, there is a child zombie in this story named Guts. Unfortunately they all get caught by the government where they find Joan, an undead nurse who is able to treat the dead as she once treated the living (mainly by keeping decaying body parts attached, but hey, same concept). While escaping from the hold of “the man” they turn an officer into a zombie as well. Lucky for them this officer, Ros, is still able to speak after turning. And to round it all off, they attack an elderly couple and their granddaughter, deciding the teenage girl would make a great zombie because she clearly played too many shooter games in her lifetime. They also find some more dead weight whose name escapes me, but as he makes no real contribution to the group, I don’t think it matters. So there’s our cast of main characters: A zombie who can think, one who can run, one who can talk, one who can heal, one who can shoot, one who is pregnant, and one who would make a great sacrificial lamb.
This unlikely gang of rotting flesh slowly (and I mean slowly) make their way toward Chicago, interrupted only by Eve giving birth. Apparently if you turn a pregnant woman into a zombie, she will in fact give birth to a zombie child.

So at one point, this was a delicious human baby... then it turned into a zombie in the womb.

After what I’m sure is a gruesome scene of zombie birthing and the news of several areas being totally bombed in order to kill off the zombies, the group decides to travel under water Pirates of the Caribbean style. When the emerge from the water they find themselves in Chicago, and after some deaths, struggle, and boat-jacking, Jack finds himself face to face with the man responsible for the zombie virus, Dr. Stein. Without giving too much away, most of the group ends up dead and Jack and the few survivors of the group sail away into the sunset after they are basically told, “Yeah… look, all of us non-zombie people just don’t want to try to live with zombies. So we’re just gonna kill ya.”
The story ends on Jack’s hopes for a world where zombies will be able to live in peace with their main food source.
This is definitely an interesting read. It’s different, it’s short, and it makes you think about zombies beyond the point of how you would kill them if they were at your door. Brains is well written, well thought out, and overall a good book to read if you find yourself bored or in a position where you find yourself sitting for a long period of time. The characters are interesting in their own way and even get you to sympathize with them, to root for them; Jack’s desire to meet with his creator, the hopes he holds for equal treatment of zombies, their fight for survival in a world that’s out to get them, and in my boyfriend’s case, the desire to eat newborns. Call it an allegory of sorts (to this reader, anyway).
If you’re looking for a book to expand your mind or vocabulary or to help you in some way, it probably isn’t the book for you. In fact, it should be towards the top of the list of books you shouldn’t read. If you’re looking for a short, entertaining read, go for it. I won’t say it should take precedence over something like Frankenstein or The Hunchback of Notre Dame, but for a person who loves to read and feels like brushing up on some zombie based reading, it would be more than worth it. You might love it just as much as zombies love eating babies.

Rating:
7 1/2 out of 10 Brains

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Print vs. Film: I Am Legend


I’ve heard it a million times, you’ve heard it a million times, and for some reason I still can’t understand why people complain about hearing it.
“The book was better.”
What is it about this phrase that sets some people off so easily? Sometimes the book is better—one’s imagination can surely be more entertaining than what Hollywood tosses out, right? There are also occasions where the big wigs in Hollywood outdo the imagination and give us a masterpiece. But when it comes down to it, is the book really better than the movie?


I Am Legend
(Richard Matheson) vs. I Am Legend (2007)

The Basics
Hopefully all of you know the basic story behind I Am Legend: Post-apocalyptic account of last man on earth. This man, our protagonist in both the book and film, is Robert Neville. A disease has spread through the air and caused every other human to transform into blood-thirsty creatures (which are different in each, but more on that later), while Neville is left to suffer due to a strange immunity he has to the disease. As time passes he searches desperately for a cure in hopes of saving the human race.

Robert Neville
Okay, not many changes here between the book and the movie. Neville is essentially the same character up and down. Even though the book uses narration to give the audience insight to his psyche, the movie does just a good a job at conveying his loneliness and possible madness by including scenes where he talks to mannequins and acts as if they are other people. He’s desperate for communication, he clings to life without much of a real reason (it should be noted that novel Neville does not spend the entire book searching for a cure as does his film counterpart), he laments the friends and family he’s lost, he relives the horrors of the virus being released and the events that follow…
The biggest difference between them is that in the book, Neville seems a bit angrier about his situation and is kind of an alcoholic. Oh, and he’s a white blonde-haired German dude. In the film, he seems to be a fairly calm yet slowly going insane man who is portrayed by not a white blonde-haired German dude, Will Smith.

Ah, yes, our strong, blonde, German hero.

The Vampires/Zombie Things
I saw the movie before I read the book, and since the movie doesn’t specify what the creatures in it are, I was kind of surprised to find they were vampires in the book. And not just blood-sucking monsters incapable of thought or speech like the zombie-things we’re given in the movie—many of the vampires in the book are able to speak and even think. Hell, some even taunt Neville and try to plan ways to attack him. The zombie-creatures (No, I’m not going to call them vampires) seem downright brainless and only have one action plan, which is to use brute force at all times. Of course this simplicity makes them more terrifying than they sound because they are much more reckless and will attack without thinking they could die. So if you want to compare the monsters between the two, you basically have to compare a dumber Dracula creature with…. well, a highly murderous zombie with rabies.

What the HELL are you? Wait... Grandpa?

The Dog/Sam
Ah, man’s best friend. Surely the companionship of a canine is enough to help keep Neville sane and give him hope for humanity? Wrong. The dog is handled very differently in the book and film; however the end result is close to the same (I think). In the movie Samantha is the dog that belonged to Neville’s family. She is literally all he has for almost the entire movie, and turns out is also immune to the air-borne disease. However she can still be infected through contact with an infected creature, and because Hollywood is full of sadistic jerks, she gets bitten in a scuffle with a pack of infected dogs. Neville has no choice but to kill his friend, leaving him truly alone and bringing him to try to kill himself.
In the novel, no dog is present for a good portion of the book. When it does pop up, it is an injured, beyond frightened animal that runs from Neville. Determined to catch the dog, nurse it to health, and finally have a friend, Neville starts laying out food for the dog. On and off the dog shows up until one day Neville grabs it and manages to get it inside his house. The poor thing is scared to death and hides for some time. Eventually the dog lets Neville get close to him, but a week later, the dog dies.
Yeah, they kept that dog depressing.

Hey, Bob buddy... could you point that gun a little further away from me, please?

Ending
—–For those of you who don’t know ending means: Spoilers—–
He dies. That is really the only thing these two endings have in common: Robert Neville dies in both.
In the book, the vampires have begun to adapt and have basically become what humans once were. They rule the globe now, and Neville is a threat to them. He is the outsider by the end of the story, the monster killing their people. He is, as cliché as it is to say, a legend.  So they capture and kill him.  I mean, he WAS killing them for what seemed like no reason to them… I have a feeling he basically became the vampire version of Jack the Ripper.
In the film, he discovers a cure just as his house is under attack by the infected. He gives the cure to the woman and boy who are somehow alive and gives his life so they can escape with the cure. He has no guarantee they won’t die on their way to the possibly non-existent safety grounds, but it was a noble sacrifice nonetheless (even if there’s a chance it would have been very much in vain).
Apparently there was an alternate ending to the 2007 film that is more true to the book, but I haven’t seen it and from what I’ve read, it doesn’t sound much closer other than showing us the infected aren’t mindless bloodthirsty zombies with rabies.

Other
Anything I haven’t mentioned yet is going to be covered here, which leaves the very very few supporting (if they can even be called that) characters in this case. The book includes information on Robert Neville’s family, and we find out that his wife had become infected and turned into a vampire. After burying her she came back and tried to bite him, and if I remember correctly his child was also ill before the outbreak and died.
The movie takes the haunting elements of “Oh god I watched my wife turn into a monster” and “I saw my child suffer from this disease” and takes both the wife and child out in a helicopter crash, which is just as traumatizing if not more so.
Then of course we have the “survivors”, a woman and little boy in the movie, and Ruth in the book. Ruth isn’t actually a survivor, but a vampire spy of sorts who was sent to destroy Neville’s research and find a way to infiltrate his house so he can be destroyed by the now socially developed vampires (she was not given orders to sleep with him though, but she did).
Anna and Ethan are the unlikely duo that save Will Smith from his suicide attempt after he had to kill his dog. How they survived is beyond me, as is the fact that they knew about the survivor’s colony. They just seemed highly unnecessary and an excuse to make the classic “Happy” ending.
The more interesting changes here come in the form of a character dropped from the film adaptation: Ben Cortman, Robert Neville’s neighbor and former friend-turned-vampire.
He taunted Neville, he caused flashbacks and had become the bane of Neville’s existence. He was even part of the reason Neville hunted the infected—and it seems he wanted to be the one to kill Cortman, not to end the taunting, but to put his friend at rest. It would have been nice to see Cortman in the movie, but because of the approach taken with the creatures, it’s kind of a moot point.

Overall:
Both have things I don’t like about them. Anne and Ethan I saw no point in at all, other than to end the movie on a “he died to save humanity” note. That’s noble and all, but I just don’t like the way they approached it. At least Ruth didn’t come with some magical story about a bunch of other survivors that somehow found each other and formed an entire colony without getting killed.
I feel Matheson did a good job conveying Neville’s mental state through the story, but the movie added icing on the cake with the mannequin scene after Sam’s death. The book makes you think more of Robert Neville in the “This guy is bucking flonkers” light, while at the same time gives you information to remind you that he has every reason to be.
Will Smith’s performance as Neville invokes much more sympathy. When Sam has to be killed, I cried. When Neville sacrifices himself at the end, despite the potential uselessness of it, I cried. I felt for this character and his pain came to life more so than it does in the text (prrrobably because it’s a movie…).
The idea that the vampires have developed into creatures capable of creating their own society is something I like. It shows a brief insight to how the other party would be looking at this story.
That said, both endings were amazing. I did cry when Neville died in the film. Like a baby, if you must know. But in the text, when Neville is being brought out for his execution and staring in the eyes of creatures that see him as he once saw them, I get chills. The way he goes into his death, the way he admits that he is now the outsider, the plague on their society… I enjoy it. I like to think of it in terms of “living long enough to see yourself become the villain”. In this case it isn’t the Neville became some kind of corrupt burn victim bent on getting revenge, but he had survived long enough to become something the now dominant species feared. And he accepts this as a reason he has to die.

The Winner:
Tie

As I said, both have their ups and downs, but I really can’t say I liked one more than the other. Matheson created an interesting story that should be given much more attention than it seems to get, and while Hollywood didn’t stay 100% true to that story—not that they ever do—what they did do worked very well.
So for my first Print vs. Film, I recommend reading the book and seeing the movie. They’re both well worth the time, IMO.


Random fun fact: Even Google questions what the creatures in the movie are supposed to be. Seriously, go check. Type in “I Am Legend va” and two of the first results should say something along the lines of “Vampires or zombies”.

My poor excuse for a title card was made using Keevs’ awesome lineart generator.

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